St. Vincent, Daddy’s Home.
Stereodista ponders St. Vincent, her new LP, Daddy’s Home, and David Bowie.
# Tag
On Record
Shame, Drunk Tank Pink
With Shame's second album, let's begin to discuss U.K. Post-Punk. And what better place to start?
Her, Her
John explores the concept of immortality in French duo Her's debut
Future Islands, As Long As You Are
Otacon takes a peek at Future Islands' sixth studio effort
Dehd, Flowers of Devotion
Easy C dives into Dehd's excellent new album, Flowers of Devotion
The Underrated, Incisive Beauty of Will Powers
Once upon a time, in 1983, one of the most unique records of the 20th Century was released and largely passed by unnoticed. You need to listen to it
Sault, Untitled (Rise)
The enigmatic Easy C finally emerges from the ether to review pseudonymous group SAULT's latest release
The Chemical Brothers, Further
John revisits one of The Chemical Brothers' most iconic and groundbreaking works
Braids, Shadow Offering
"For across some of Shadow Offering, hope doesn’t so much spring eternal as it does vernal..."
Shintaro Sakamoto, Let's Dance Raw
Otacon provides an introduction to Shintaro Sakamoto and his sophomore effort, Let's Dance Raw
Fiona Apple, Fetch The Bolt Cutters
Does the sensationalised album pass the Snobbery test?
Radiohead, OK Computer
John explores the parallelism between 2020's forced isolation and Radiohead's voluntary one for the recording of OK Computer
EOB, Earth
Stereodista goes beyond the obvious to consider Ed O'Brien's solo début
Tame Impala, The Slow Rush
Given anticipation for new Tame Impala, Cuzomano, Easy C and a Disciple chose to offer differing perspectives on Kevin Parker’s latest effort.
Destroyer, Have We Met
Beijar is back, and this time he professes to be darker than ever… but is he really?